艺术学院知识库

中国的彩陶文化有着悠久的历史，其中黄河流域有着丰富的彩陶资源。仿生彩陶作为中国彩陶文化发展时期的艺术形式之一，占据彩陶发展历程中较为重要的地位，蕴含着中国古老文化精神，其设计造型随人类的进化过程不断演变。仿生彩陶是建立在功能基础之上的，是对人物、动物、植物进行描摹而制作的，其设计思维受当时生产力、地域风俗、生活习惯等因素影响，在功能性和审美方面均发挥着重要的作用。

通过对黄河流域各地区的彩陶仿生设计进行系统研究，借助考古资料考证仿生彩陶的生产技术，及其与人们的生活方式、原始宗教和祭祀活动等关系，分析促生仿生彩陶的社会背景，利用场域分析法对黄河流域仿生彩陶进行系统的分析研究。搜集黄河流域仿生彩陶的图像相关资料，通过造型分类对比，分析黄河流域各时期的仿生彩陶艺术表现存在相似的现象，探究各地区仿生彩陶制作技艺和文化交流信息；从设计学的角度分析仿生彩陶的造型特点，探讨仿生彩陶的设计手法、制作技法、装饰形式等，研究仿生彩陶的实用功能、娱乐功能以及宗教功能等；梳理仿生彩陶从最初单一造型到复杂造型的发展演化，仿生彩陶由实用到多元功能设计需求，以及到精神追求的转变；依据仿生陶器的设计与创制特点，分析早期仿生设计思维的形成对后期器物设计的流变与影响，古代仿生陶器设计与仿生形式多元化设计中所蕴含的设计理念对现当代陶艺仿生形态与仿生结构设计的启示，由此可见，中国仿生设计思维模式是有根可循的。

仿生彩陶作为中华文化的重要部分，随着时代发展，美的认知建立在实用的基础之上，深入探讨彩陶仿生设计中美的历程对于当今设计理念的影响。在当今互联网与智能化设计视域下，研究古代仿生设计思维具有非常重要的意义。

China's painted pottery culture has a long history, among which the Yellow River basin is rich in painted pottery resources. Bionic painted pottery, as one of the art forms in the development period of Chinese painted pottery culture, occupies an important position in the development process of painted pottery. It contains the spirit of ancient Chinese culture, and its design and modeling constantly evolve with the evolution of human beings. Bionic painted pottery is built on the basis of function. It is made by depicting people, animals and plants. Its design thinking is influenced by productive forces, regional customs, living habits and other factors at that time, and it plays an important role in function and aesthetics.

Through a systematic study on the bionic design of painted pottery in various regions of the Yellow River Basin, using archaeological data to research the production technology of the bionic painted pottery and its relationship with people's lifestyle, primitive religion and sacrificial activities, the social background promoting the creation of the bionic painted pottery was analyzed, and the bionic painted pottery in the Yellow River Basin was systematically analyzed and studied by field analysis method. The image information of bionic painted pottery in the Yellow River Basin was collected. Through the classification and comparison of shapes, the similar phenomenon existed in the artistic expression of bionic painted pottery in different periods in the Yellow River Basin was analyzed, and the production techniques and cultural exchange information of bionic painted pottery in different regions were explored. From the perspective of design, the modeling characteristics of bionic painted pottery are analyzed, the design techniques, production techniques and decorative forms of bionic painted pottery are discussed, and the practical function, entertainment function and religious function of bionic painted pottery are studied. The development and evolution of bionic painted pottery from the initial single shape to the complex shape, the transformation of bionic painted pottery from practical to multi-functional design needs, as well as to spiritual pursuit; Based on the design and creation characteristics of bionic pottery, this paper analyzes the evolution and influence of the formation of bionic design thinking in the early stage on the later ware design, and the enlightenment of the design concept contained in the ancient bionic pottery design and bionic form diversified design on the bionic form and structure design of modern and contemporary pottery. It can be seen that the thinking mode of Chinese bionic design has roots to follow.

Bionic painted pottery is an important part of Chinese culture. With the development of The Times, the cognition of beauty is based on the practical basis. The influence of the bionic design of painted pottery on the current design concept is deeply discussed. In today's Internet and intelligent design, it is of great significance to study ancient bionic design thinking.