作者张利敏
姓名汉语拼音zhanglimin
学号2021000013011
培养单位兰州财经大学
电话15386837759
电子邮件963585374@qq.com
入学年份2021-9
学位类别学术硕士
培养级别硕士研究生
学科门类艺术学
一级学科名称设计学
学科方向
学科代码130500
授予学位艺术学硕士学位
第一导师姓名庞颖
第一导师姓名汉语拼音pangying
第一导师单位兰州财经大学
第一导师职称教授
题名北方岩画“人面图像”对当代视觉设计的启示
英文题名The inspiration of northern rock painting "human face image" to contemporary visual design
关键词北方岩画 人面岩画 视觉设计 启示
外文关键词Northern rock paintings; Human face rock painting; Visual design; Inspiration
摘要
   我国北方地区有着丰富的历史文化,生活在这里的游牧先民在漫长的历史长河中,创造出了不朽的艺术——北方岩画。北方岩画中的“人面图像”是一个非常特别的题材,这类岩画在北方分布较为密集且内容十分丰富,其造型独特、风格迥异、神秘莫测,反映和再现了原始先民的生产活动与社会活动,是群体性文化产生的结果,它的文化内涵与艺术形态承载了中华民族本原艺术与文化的宇宙观、审美观以及民族精神,展现了北方先民独特的审美与惊人的创造力,更是体现了北方先民对于生命与精神世界的独特理解与追求,是远古时代人类先民留给后人珍贵的文化遗产。即便是社会物质生活高度文明与发达的今天,虽然靠天生存的原始时代下产生的人面岩画与建立在先进技术、人工智能等生产条件下的视觉设计距离非常遥远,其创作形式已经远远落后,甚至淡出人们的视野,但其中所蕴含的创作方法与创作观念仍然闪耀着先民的智慧光彩,其精髓是不灭的,无论时代如何变化与发展,设计的目的都会涉及人、物、自然、社会之间的关系,人面岩画中所呈现出先民对这些关系的理解与表达,对当下视觉设计的创作与发展具有一定的价值与意义。因此,人面岩画作为中华原始先民集体智慧的结晶,依然具有强大的生命力与影响力,能够为当代视觉设计领域带来许多深刻的启示。本文将以北方人面岩画及其对当代视觉设计的价值进行深入研究,分别从人面岩画的造型以及创作观念方面分析对当代视觉设计的启示,为视觉设计工作者提供值得学习与借鉴的设计思路与方法。
英文摘要
The northern region of our country has rich historical and cultural heritage, and the nomadic ancestors living here have created an immortal art - northern rock painting - in the long river of history. The "human face image" in northern rock paintings is a very special theme. This type of rock painting is densely distributed and rich in content in the north, with
unique shapes, diverse styles, and mysterious mysteries. It reflects and reproduces the production and social activities of primitive ancestors, and is the result of group culture. Its cultural connotations and artistic forms carry the cosmology, aesthetic views, and national spirit of the original art and culture of the Chinese nation, showcasing the unique aesthetics and astonishing creativity of northern ancestors. It also reflects the unique understanding and pursuit of life and spiritual world of northern ancestors, and is a precious cultural heritage left by ancient human ancestors to future generations. Even in today's highly civilized and developed social material life, although the distance between human face rock paintings produced in the primitive era of relying on nature and visual design established under advanced technology, artificial intelligence and other production conditions is very far, their creative forms have fallen far
behind, and even faded out of people's vision, the creative methods and concepts contained in them still have value, still shining with the wisdom and brilliance of the ancestors. Its essence is indestructible. No matter how the times change and develop, the purpose of design will involve the relationship between people, objects, nature, and society. The
understanding and expression of these relationships presented in human face rock paintings by the ancestors have certain enlightening significance for the creation and development of current design. Therefore, as the crystallization of the collective wisdom of Chinese primitive ancestors, human face rock paintings still have strong vitality and influence, and can bring many profound inspirations to the field of
contemporary visual design. This article will conduct in-depth research on northern human face rock paintings and their inspiration for contemporary visual design. It will analyze the inspiration and value of human face rock paintings for contemporary visual design from the perspectives of their shapes and creative concepts, in order to provide visual design workers with design ideas and methods worth learning and referencing.
学位类型硕士
答辩日期2024-05-21
学位授予地点甘肃省兰州市
语种中文
论文总页数70
参考文献总数77
馆藏号0006358
保密级别公开
中图分类号J06/26
文献类型学位论文
条目标识符http://ir.lzufe.edu.cn/handle/39EH0E1M/36945
专题艺术学院
推荐引用方式
GB/T 7714
张利敏. 北方岩画“人面图像”对当代视觉设计的启示[D]. 甘肃省兰州市. 兰州财经大学,2024.
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