商务传媒学院知识库

摘 要

随着互联网不断深入发展,人文历史纪录片成为集视觉听觉于一体的新型媒介，能更为生动、形象地展现出一个民族的文化内涵及其历史变迁，是一个国家对外交流的友好使者,是实现文化对外传播的重要方法与途径。截至目前，各国对国家人文历史的对外传播研究多集中在传播途径上，鲜有从纪录片入手，特别是对中英人文历史题材纪录片创作的比较探究。本文试图通过中英两国历史题材纪录片的比较，来理解两国历史题材纪录片的相似之处和不同之处。英国先进的记录片制作技术在世界上享有盛名，且英国电视第四频道主管部门是英国文化、体育和媒体部，是英国政府拥有的广播机构，是英国政府的口舌，而 CCTV 制作的纪录片对于我国对外文化传播的重要性不言而喻且制作精良，所以本文选择英国电视第四频道与blast!films公司联合制作的《英吉利海峡：世界最繁忙水道》与 CCTV《河西走廊》两国最重要的海陆交通要道的纪录片，意图通过从叙事学的角度探索两国人文历史纪录片的具体特点。本文的第一章是绪论，研究意义，目的，方法，国内外的研究现状及所使用的理论。第二章对历史题材纪录片的相关概念进行了界定，并对中、英两国历史题材纪录片的发展现状和特点进行了介绍。第三章通过对《河西走廊》和《英吉利海峡：世界最繁忙水道》的叙事者叙事视角、叙事手段及叙事风格三个部分进行详细的分析。第四章讨论了两部纪录片叙述的相同点并且归纳影响两国对外传播的因素主要包括意识形态、文化折扣和受众等方面。第五章探讨了新媒体时代下中国人文历史题材纪录片应该如何发展。本文将探讨中英两国在历史纪录片创作方面的异同,比较的目的并不是要区别高下，而是要向西方学习优秀经验，守正创新，完善中国历史记录片的创作理论，提高文化自信。以期推动中国优秀人文历史纪录片在世界范围内的传播。

Abstract

With the continuous development of the Internet, historical documentaries have become a new type of media that integrates vision and hearing. They can more vividly show the cultural connotation and historical changes of a nation. They are the friendly envoys of a country's foreign exchange and an important method and way to achieve the external dissemination of culture. Up to now, the research on the external communication of national history and culture in many countries has focused on the communication channels, and few have started with documentaries, especially the comparative research on the creation of documentaries on historical themes in China and Britain.This paper attempts to understand the similarities and differences of historical documentaries between China and Britain by comparing them.British documentaries are renowned for their advanced creative techniques , and the competent department of British TV Channel 4 is the British Department of Culture, Sports, and Media. It is a broadcasting agency owned by the British government and the mouthpiece of the British government. In China, it is self-evident that the importance of documentaries which are produced by CCTV for the spread of Chinese cultural. Therefore, I choose two historical documentaries about two main roads , one is The English Channel: The World's busiest Waterway jointly produced by British TV Channel 4 and Blast!film company, the other is Hexi Corridor produced by CCTV. It is intended to explore the specific characteristics of the cultural and historical documentaries of the two countries from the perspective of narratology. The first chapter of this article is introduction, research significance, goal, method, domestic and foreign research present situation and the theory which uses. The second chapter defines the relevant concepts of historical documentaries, and introduces the status quo and characteristics of historical documentaries in China and Britain.The third chapter analyzes the narrator's narrative perspective, narrative means and narrative style of Hexi Corridor and English Channel: The Busiest Waterway in the World. Chapter Four discusses the similarities between the two documentaries and concludes that the factors affecting the two countries' external communication include ideology, cultural discount and audience.The fifth chapter discusses the new media era of Chinese humanities and history under the theme of documentary should be how to develop. This paper will discuss the similarities and differences in the creation of historical documentaries between China and the United Kingdom. The purpose of comparison is not to distinguish between the superior and the inferior, but to learn from the West, keep to the right and innovate, improve the creative theory of Chinese historical documentaries and enhance cultural confidence.In order to promote China's excellent humanities and history documentary in the world.