艺术学院知识库

传统山水画与古典园林有着非常一致的精神内核，两者同根同源，密切相关。 宋代是中国传统文化走向成熟的时期，山水画、园林作为中国传统文化的重要载 体，在宋代蓬勃发展。本文借鉴了宋代园林设计研究中发挥重要作用的山水画资 料。同时，随着近年来园林设计对山水文化的重视，山水画受到了广泛的关注和 研究。山水画与园林的关系也是当前园林设计研究的一个重要课题。本研究旨在 以山水画为媒介，分析宋代园林设计的特点，探寻其对当今生态园林城市建设的 启示。

本文研究从其产生的社会背景、意识形态等因素。分析了山水画与宋代园林 的关系，推论出山水画和园林发展的契合性，使其建立起相互融糅的涵脉关系， 并扩宽了以山水情境为内蕴的设计艺术。在同源思想的引领下，山水画与园林设 计受自然审美因素、儒道释美学思想、隐逸文化的影响，逐渐形成了以山水文化 为思想的艺术核心。在相通理论的指导下，园林设计以画论为设计灵感，摄取画 理、绘画技法等进行园境营造的设计布局。梳理了宋代园林设计视觉要素(山石、 水体、建筑、植物)的设计理法特征，以期对当今构建生态园林城市的设计认知 提供参考。

本研究突破国内已有的研究模式，并在国内外已有的研究成果基础上从图像 学、设计学、生态学等多学科的角度对宋代园林设计的视觉图像艺术表现做多维 度的、跨学科的理论探究，从而使研究具有理论的广度。基于宋代山水画的研究 理论，园林视觉图像艺术以审美功能、认知功能等为一体建构一种新的视觉空间。 同时，园林艺术所营造的山水情境带给人们的视觉感受，激发人们多角度探寻园 林设计的审美情趣和艺术感知。

Traditional landscape painting and classical garden have a very consistent spiritual core, the two are closely related to the same root. The Song Dynasty was the period when Chinese traditional culture became mature. Landscape painting and garden, as important carriers of Chinese traditional culture, developed vigorously in the Song Dynasty. This paper draws on the landscape painting data which played an important role in the study of garden design in Song Dynasty. There are no surviving examples of gardens in Song Dynasty. At the same time, with the emphasis on landscape culture in landscape design in recent years, landscape painting has been widely concerned and studied. The relationship between landscape painting and landscape architecture is also an important topic in current landscape design research. The purpose of this study is to analyze the characteristics of garden design in Song Dynasty through landscape painting, and to explore its enlightenment to the construction of ecological garden city today.

This paper studies from its social background, ideology and other factors. This paper analyzes the relationship between landscape painting and garden in Song Dynasty, deduces the compatibility of landscape painting and garden development, and establishes the relationship of mutual blending, and broadens the design art with landscape situation as the connotation. Under the guidance of the thought of homology,

兰州财经大学硕士学位论文               山水画视角下的宋代园林设计研究

landscape painting and garden design were influenced by natural aesthetic factors, Confucianism, Taoism and Buddhism, and seclusive culture, and gradually formed the artistic core with landscape culture as the thought. Under the guidance of interlinked theory, landscape design takes painting theory as design inspiration, and takes painting theory and painting techniques to design layout of landscape construction. This paper combs the design theory characteristics of the visual elements (rocks, water, buildings, plants) of garden design in Song Dynasty, in order to provide reference for the design cognition of constructing ecological garden city today.

This study breaks through the existing domestic research mode, and on the basis of the existing research results at home and abroad, from the perspectives of image science, design science, ecology and other disciplines to do a multi-dimensional and interdisciplinary theoretical exploration of the visual image art performance of garden design in the Song Dynasty, so as to make the research with a theoretical breadth. Based on the research theory of landscape painting in Song Dynasty, the visual image art of garden builds a new visual space by integrating aesthetic function and cognitive function. At the same time, the landscape situation created by garden art brings people's visual feelings, and inspires people to explore the aesthetic taste and artistic perception of garden design from multiple angles.