艺术学院知识库

摘  要

敦煌石窟壁画中服饰内容丰富、种类繁多，是认识和研究中国传统文化艺术的重要宝库。本论文以唐代敦煌壁画中的毡帽为研究对象，通过实地考察、图像分析、文献归纳，结合史书和考古资料，从设计学角度对唐代壁画中的毡帽造型、装饰纹样进行分析和梳理，通过对毡帽造型分类的补充，探求唐代敦煌壁画中毡帽所蕴含的文化内涵。最后，在多元化、消费取向较个性化的新时代，通过对毡帽市场环境的分析，探讨毡帽开发利用的思路，提出传统服饰创新与发展的思考。以期使我们对传统帽饰的发展有一个更好的认识，对敦煌艺术在新时代焕发生机和活力作出新的探索与努力，为今后传统服装文化的创新与发展提供理论参考。

Abstract

The costumes in the murals of the Dunhuang grottoes are rich in content and variety, which is an important treasure house for understanding and studying Chinese traditional culture and art. In this paper, the felt hat in Dunhuang frescoes of Tang Dynasty is taken as the research object, and the cultural connotation of felt hat in Dunhuang frescoes of Tang Dynasty is explored by means of field investigation, image analysis, literature summary, historical books and archaeological materials, and analysis and carding of the felt hat shape and decorative patterns from the perspective of design. Finally, in the new era of diversification and personalized consumption orientation, through the analysis of felt hat market environment, this paper discusses the development and utilization of felt hat, and puts forward the thinking of traditional dress innovation and development. Hope to make us have a better understanding of the development of the traditional hat ornaments, and make new exploration and efforts to the vitality of Dunhuang art in the new era, and provide theoretical reference for the innovation and development of the traditional clothing culture in the future.